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Just what is the “streetscene” and the “character and appearance of an area”?

Roderick Morton • 28 September 2023

A developer proposed conversion of an existing dwelling with side extension into two dwellings. No external changes were proposed other than a fence in the rear garden. The council refused permission because the sub-division was vertical (ie the side extension) and would lead to two small plots which would have a different width to those of the remainder of the street which were fairly uniform. The council said this would be harmful to the character and appearance of the streetscene.


The refusal was challenged and upheld on appeal. The inspector found that the plot widths were locally uniform creating a strong front building line and pleasant rhythm in the street scene, contributing positively to the character and appearance of the area. The inspector accepted that there were no external changes beyond a rear fence. But he found that the sub-division would be apparent because of the location of the property and also found that, as the extension sat well back from the building line, it would be incongruous as a separate dwelling. And he found that the rear fence was not PD, being installed as part of a subdivision. The refusal was upheld.


The developer appealed. At the High Court, the judge found that the inspector had erred by taking into account immaterial considerations and reaching an irrational conclusion; how could the inspector find that character and appearance of the area was affected if no external changes were identified?


Not surprisingly, this aspect was appealed by PINS.


The Court of Appeal found that the inspector’s decision was logical, coherent, reasoned and “legally impeccable”. He was required to consider the effect of the development on the “character and appearance” of the area, not just the appearance. This isn’t a defined term in the local plan policies. There is no need to consider character and appearance separately but it is clear that, together, the words go beyond mere appearance.  It certainly includes matters of building lines, plot widths, plot sizes and the composition of buildings on the street.


The court considered how the inspector had approached this task.  While the inspector gave fair consideration to the unaltered visual impact, nevertheless his consideration went further. He found that the plot widths would appear narrower than other plots, that this would “appear contrived” and would “highlight the incongruity in the street scene”. He found that the fact that the separated dwelling would set well back from the building line would be contrary to the prevailing pattern of development. And that, in combination, these caused harm to the character and appearance of the street scene. This was a lawful exercise of his planning judgement.


Further, there was in fact clearly a visual impact caused by the fence and the building line. This was fully understood by the inspector, and these were factors which the inspector was entitled to consider.


“Streetscene” is, said the court, undefined in law and concentrating on its meaning is unhelpful. It is not used in relevant policy and its only relevance was in understanding the impact of the development on character and appearance.  The court did, however, note that the inspector’s approach was in line with the use of “streetscene” in the National Design Guide as including “the appearance of all elements of a street, including the buildings along its edge and the composition of buildings on each side of the street.”   


Comment. It is common in enforcement notices to bandy about words such as “character and appearance” and “streetscene” when giving reasons for the notice. The High Court decision was a warning that we must remember to think about what these words mean and carefully demonstrate that there is an impact, particularly when visual impact is small. The Court of Appeal decision is a welcome confirmation that “character” is as important as “appearance” and that there are a number of other factors within “character” which can be drawn to justify enforcement upon when visual impact is lacking.

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Clarkson’s popularity will be re-assessed in 3 years as the permission is time limited. Perhaps the inspector knows something we don’t. As viewers will know, Clarkson’s Farm operates in open countryside in an AONB. As well as agriculture, it has diversified to include a farm shop and a café in a lambing barn. The business tried to open a restaurant in a converted barn located some distance from the shop. The site is obviously used as a filming location. The business has proved popular and it now has significant parking and highway problems. The farm shop (with limited parking) has permission, the construction of the lambing barn (but not its use) has permission and there is permission for limited filming. The council enforced against the material change of use of the land to a mixed agricultural and leisure attraction use, comprising café, restaurant, gift/farm shop, parking and lavatory facilities. The notice was appealed. The appellant also sought (and was refused) permission for additional parking, access, storage and landscaping. This appeal was heard alongside the enforcement appeal. The inspector dealt first with the planning unit. The appellant alleged that there were three separate planning units (shop, café, restaurant), with each having a separate primary use. The council had enforced against a single unit in a mixed use. The inspector took into account that the shop/café was in a different ownership to the farm and that it had its own permission. But its activities clearly spilled out of the permitted area, extending to the proposed restaurant and the wider parking areas. The restaurant used the same parking as the shop. These were fenced/walled off from the remainder of the farm. He concluded that there was a single planning unit. As for the use of that planning unit, the inspector took issue with several items listed by the council. “Gift shop” was too ambiguous; a shop is a shop. 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